Pop Culture for Beginners
  • Print Publication Date: November 30, 2021
  • eBook Publication Date: September 15, 2021
  • ISBN: 9781554815654 / 1554815657
  • 336 pages; 6" x 9"

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Pop Culture for Beginners

  • Print Publication Date: November 30, 2021
  • eBook Publication Date: September 15, 2021
  • ISBN: 9781554815654 / 1554815657
  • 336 pages; 6" x 9"

An eBook is now available. Click the Google Play button to purchase.

This book can be packaged with The Mad Scientist’s Guide to Composition at a discounted price; If you wish to order a package, please contact your Broadview representative or customer service.

Pop Culture for Beginners promotes reflective engagement with the world around us and provides tools for thinking critically about how meaning is created, reinforced, and circulated. Privileging a semiotic approach, the book’s first part, “The Pop Culture Toolbox,” outlines the development of pop culture studies; explains the semiotic framework; introduces students to a variety of critical lenses including Marxism, feminism, postcolonialism, and Critical Race Theory; and then offers an overview of pop culture “pivot points,” including authenticity, intersectionality, intertextuality, and subculture. The book’s second part provides a series of units, prepared in consultation with subject area experts, built around topics central to popular culture studies: television and film, music, comics, gaming, social media, and fandom.

Each chapter includes “Your Turn” activities and discussion questions, as well as possible assignments and suggestions for further reading. The chapters in part two also include questions as beginning points for thinking critically and readings demonstrating relevant scholarly approaches to popular culture. Important vocabulary terms are included in a substantive glossary at the end.

Comments

“Jeffrey Andrew Weinstock introduces readers to the study of popular culture with characteristic insight, humor, and depth. The book is packed with wide-ranging examples and provocative questions. Students will quickly discover the pleasures of reflecting on the kinds of things many of us are consuming every day, and will benefit from the intelligent and accessible overviews of major cultural theories. The book also invites students to reflect on emerging trends or newly discovered favorites. It is truly an excellent book.” — Carl Sederholm, Brigham Young University, Editor, The Journal of American Culture

Pop Culture for Beginners is an excellent introductory textbook that encourages students not only to critically analyze popular culture but also to have fun doing so. Weinstock asks meaningful questions to get students to start looking at popular culture artifacts with an eye toward detail and analysis, rather than just taking popular culture for granted and mindlessly consuming it. The text provides the tools for critical engagement with popular culture, including a variety of types of critical theory and examples of analysis. Students should come away from the book with a greater sense of agency in regard to the culture surrounding them.” — Alyson Buckman, California State University, Sacramento

Acknowledgments
Introduction

SECTION 1: THE POP CULTURE TOOLBOX

  • Chapter 1: What Is Popular Culture?
  • Chapter 2: The Semiotic Approach
  • Chapter 3: The Critical Theory Toolbox
  • Chapter 4: Popular Culture Pivot Points

SECTION 2: POP CULTURE UNITS

  • Chapter 5: Television and Film
  • Chapter 6: Music
  • Chapter 7: Comics
  • Chapter 8: Gaming
  • Chapter 9: Social Media
  • Chapter 10: Fandom
  • Chapter 11: A Final Assignment

Glossary
Permissions Acknowledgments and Image Credits
Index

Jeffrey Andrew Weinstock is Professor of English at Central Michigan University, an Associate Editor for The Journal of the Fantastic in the Arts, and the host of the long-running internet goth/industrial radio broadcast, DJ cypher’s Dark Nation Radio. He is the author or editor of 25 books on questionable topics ranging from The Rocky Horror Picture Show to Edgar Allan Poe. These include The Mad Scientist’s Guide to Composition (Broadview), The Monster Theory Reader (University of Minnesota Press), And Now For Something Completely Different: Critical Approaches to Monty Python (with Kate Egan, Manchester UP), The Rocky Horror Picture Show (Wallflower Press), Giving the Devil His Due: Satan and Cinema (with Regina Hansen, Fordham UP), The Age of Lovecraft (with Carl Sederholm, Minnesota), Goth Music: From Sound to Subculture (with Isabella van Elferen, Routledge), The Ashgate Encyclopedia of Literary and Cinematic Monsters (Ashgate), and The Vampire Film: Undead Cinema (Wallflower). Visit him at JeffreyAndrewWeinstock.com.

  • • Written in a lively and accessible manner, with images and illustrations throughout
  • • Individual units addressing television and film, music, comics, gaming, social media, and fandom were prepared in consultation with subject area experts
  • • Sample analyses in unit chapters address topics such as Stranger Things, Black Panther, Instagram, “Old Town Road,” and Minecraft
  • • Provides clear explanations of approaches to popular culture including semiotics, feminist, Marxist, postcolonialist, and Critical Races Studies
  • • “Your Turn” discussion questions, suggested assignments, and further reading suggestions are provided throughout the book
  • • Includes an extensive glossary of terms at the end