Canadian Literatures in English, Volume 2 – Second Edition
Texts and Contexts
  • Publication Date: October 15, 2026
  • ISBN: 9781554815791 / 1554815797
  • 1104 pages; 6" x 9"

Price for your region

Availability: Canada Only

Canadian Literatures in English, Volume 2 – Second Edition

Texts and Contexts

  • Publication Date: October 15, 2026
  • ISBN: 9781554815791 / 1554815797
  • 1104 pages; 6" x 9"

Volume 1 of Canadian Literatures in English, second edition, which covers Canadian literature published up to the early 20th century, is also available.

Canadian Literatures in English reflects the editors’ commitment to historical contextualization, cultural inclusion, and a nuanced understanding of critical debates over the long literary history of what is now Canada. The second volume covers the period from Modernism to the 2020s and provides a diverse range of literary and artistic works: short fiction, poetry, and creative nonfiction, but also legal, government, and policy documents, contemporary art and journalism, and experimental work that crosses genres.

The second edition has been updated throughout to include recent scholarship, updated historical introductions, and fresh literary works. New to the second edition are works by André Alexis, Leeanne Betasamosake Simpson, derek beaulieu, Kim Fu, Nalo Hopkinson, and many others.

Volumes 1 and 2 of Canadian Literatures in English are also available in a package.

For courses that cover the full sweep of Canadian Literature but focus on post-1920s texts, an electronic or print package of Volume 2 and a selection of key texts from Volume 1 is available for $70 (digital package) or $100 (print package). Please contact customerservice@broadviewpress.com for more information.

Comments

“The new edition of Laura Moss and Cynthia Sugars’s authoritative anthology is an indispensable resource. From F.R. Scott to Billy-Ray Belcourt, it offers a selection of canonical and contemporary voices that will bring classroom discussions to life. Updated section introductions are complemented by images and historical documents. Together, these materials invite students into the lively and evolving debates in Canadian literature.” — Naava Smolash, Douglas College

“Impeccably researched and accessibly written, this updated volume will be a valuable resource. The editors provide lucid and thoughtful historical context in their discussion of Canadian literary figures and movements. This inclusive anthology immerses students in the key conflicts, cultural transformations, and artistic debates that preoccupied writers and shaped views about the nation and its diverse peoples.” — Heidi Darroch, Camosun College

“This updated edition of Moss and Sugars’s influential anthology is timely and welcome. The past two decades have been a dynamic and contested period for Canadian literary studies, and this edition includes a generous array of work from this key period. Supported by period introductions that are updated, authoritative, and accessible, this anthology will be the foundation of my courses in Canadian literature for the foreseeable future.” — Robert Zacharias, York University

“I’m excited about this renewed edition, not only because it includes works and authors that have energized my Can Lit classroom but also because it opens up alternative ways of thinking through the futures of Canadian literatures. It includes generically varied, culturally diverse, and thematically significant selections from the Modernist era to the present. The up-to-date introductions, engaging author biographies, and thought-provoking contextual material will spark animated discussion in the classroom and beyond.” — Manina Jones, Western University

SECTION V
Modernism

INTRODUCTION: MAKING IT NEW IN CANADA

FIGURES FOR SECTION V

  • V-1 Tom Thomson, The West Wind (1916–17)
  • V-2 Emily Carr, Indian Church (1929)
  • V-3 Lawren Harris, Mt. Lefroy (1930)
  • V-4 Alanis Obomsawin (Abenaki), Indian Residential School 1934 (2004)
  • V-5 “Next Showing of Quints” (1936)
  • V-6 “Keep these hands off! Buy Victory Bonds” (1941–42)
  • V-7 “I’m making bombs and buying bonds! Buy Victory Bonds” (1940s)
  • V-8 Leonard Frank, Japanese Fishing Boats Corralled on the Fraser River (1942)
  • V-9 Kinu Murakami, Quilt (1942–45)
  • V-10 Molly Lamb Bobak, Gas Drill (1944)
  • V-11 “Miss Maple Leaf” Buy Canadian (1958)

EMILY CARR (1871–1945)

  • Ucluelet

FREDERICK PHILIP GROVE (1879?–1948)

  • Dawn and Diamonds
  • Canadians Old and New

E.J. PRATT (1882–1964)

  • Erosion
  • From Towards the Last Spike

ETHEL WILSON (1888–1980)

  • The Window

F.R. SCOTT (1899–1985)

  • The Canadian Authors Meet
  • Trans Canada
  • Laurentian Shield
  • Bonne Entente
  • All the Spikes But the Last

HARRY ROBINSON (1900–90)

  • YOU THINK IT’S A STUMP, BUT THAT’S MY GRANDFATHER

A.J.M. SMITH (1902–80)

  • To Hold in a Poem
  • The Lonely Land [First Version]
  • The Lonely Land
  • The Wisdom of Old Jelly Roll
  • A Rejected Preface

EARLE BIRNEY (1904–95)

  • Canada: Case History: 1945
  • Can. Lit.
  • Bushed
  • The Bear on the Delhi Road
  • UP HER CAN NADA
  • i accuse us
  • Canada: Case History: 1973

HUGH MACLENNAN (1907–90)

  • Boy Meets Girl in Winnipeg and Who Cares?

SINCLAIR ROSS (1908–96)

  • The Painted Door

A.M. KLEIN (1909–72)

  • Heirloom
  • The Still Small Voice
  • Portrait of the Poet as Landscape

DOROTHY LIVESAY (1909–96)

  • Fire and Reason
  • Day and Night
  • The Three Emilys
  • Bartok and the Geranium
  • Lament
  • The Unquiet Bed

IRVING LAYTON (1912–2006)

  • The Birth of Tragedy
  • From Colony to Nation
  • The Fertile Muck
  • Keine Lazarovitch

MURIEL KITAGAWA (1912–74)

  • From This Is My Own

P.K. PAGE (1916–2010)

  • The Stenographers
  • The Landlady
  • Stories of Snow
  • Photos of a Salt Mine
  • Planet Earth
  • Unless the Eye Catch Fire

THE MASSEY REPORT (1949–51)

  • From The Massey Report: A Royal Commission on National Development in the Arts, Letters and Sciences, 1949–1951
  • Notes on the Massey Report

SECTION VI
Mid-Twentieth Century, 1960–85

INTRODUCTION: NATIONALISTS, INTELLECTUALS, AND ICONOCLASTS

FIGURES FOR SECTION VI

  • VI-1 Expo 67: United States Pavilion (1967)
  • VI-2 Expo 67: Ontario Pavilion with Canadian Pavilion in Background (1967)
  • VI-3 “René Lévesque vs The British North America Act” (c. 1980)
  • VI-4 Joyce Wieland, Reason over Passion (1968)
  • VI-5 Demonstration signs from a Vietnam War protest (1969)
  • VI-6 Daphne Odjig, The Indian in Transition (1978)
  • VI-7 Margaret Atwood, illustrations from The Journals of Susanna Moodie (1970)
  • VI-8 Charles Pachter, Ceremonial (1973)
  • VI-9 Rex Weyler, Greenpeace protest of whaling in the North Pacific (1976)

CHIEF DAN GEORGE (GESWANOUTH SLAHOOT) (1899–1981)

  • A Lament for Confederation
  • If the Legends Fall Silent

NORTHROP FRYE (1912–91)

  • From Conclusion to Literary History of Canada

GEORGE GRANT (1918–88)

  • From Lament for a Nation: The Defeat of Canadian Nationalism

AL PURDY (1918–2000)

  • The Country North of Belleville
  • Wilderness Gothic
  • Lament for the Dorsets
  • The Dead Poet
  • Home Thoughts
  • Grosse Isle

MARGARET LAURENCE (1926–87)

  • A Bird in the House
  • A Place to Stand On
  • Letter to Margaret Atwood

ROY KIYOOKA (1926–94)

  • From Pear Tree Pomes
  • We Asian North Americanos: An Unhistorical “Take” on Growing Up Yellow in a White World

ROBERT KROETSCH (1927–2011)

  • Stone Hammer Poem
  • On Being an Alberta Writer

ALICE MUNRO (1931–2024)

  • Family Furnishings

AUSTIN CLARKE (1934–2016)

  • Bakes

CAROL SHIELDS (1935–2003)

  • Hazel

JOY KOGAWA (1935–)

  • Obasan

ALISTAIR MACLEOD (1936–2014)

  • The Boat

JOHN NEWLOVE (1938–2003)

  • Samuel Hearne in Wintertime
  • America

MARGARET ATWOOD (1939–)

  • This Is a Photograph of Me
  • The City Planners
  • It is dangerous to read newspapers
  • From The Journals of Susanna Moodie
  • Death by Landscape
  • From Survival: A Thematic Guide to Canadian Literature

DENNIS LEE (1939–)

  • From Civil Elegies
  • Alligator Pie
  • Cadence
  • From Cadence, Country, Silence: Writing in Colonial Space

MARIA CAMPBELL (1940–)

  • Jacob

DAPHNE MARLATT (1942–)

  • From Steveston
  • generations, generations at the mouth
  • musing with mothertongue

MICHAEL ONDAATJE (1943–)

  • White Dwarfs
  • Pig Glass
  • The Cinnamon Peeler
  • To a Sad Daughter
  • Translations of my Postcards

BPNICHOL (1944–88)

  • From still water
  • The Long Weekend of Louis Riel
  • landscape: 1
  • Blues
  • statement, november 1966

SECTION VII
Turn of the Millennium, 1985–2010

INTRODUCTION: THE LOCAL, THE NATIONAL, AND THE GLOBAL

FIGURES FOR SECTION VII

  • VII-1 Shaney Komulainen, “Oka, Quebec, September 1, 1990”
  • VII-2 Minaajimo-Kwe (Alice Olsen Williams), The Tree of Peace Saves the Earth (1990–91)
  • VII-3 Serge Chapleau, “We love you—Pas cette fois-ci j’ai mal à la tête!” (1995)
  • VII-4 Jin-me Yoon, A Group of Sixty-Seven (1996)
  • VII-5 Rosalie Favell, I awoke to find my spirit had returned (1999)
  • VII-6 Ken Lum, There Is No Place Like Home (2000)
  • VII-7 Warren Cariou, Suncor Structures Viewed from the Athabasca River (2014)

THE CANADIAN MULTICULTURALISM ACT (1988)

  • From The Canadian Multiculturalism Act, 1988

FRED WAH (1939–)

  • From Diamond Grill

PATRICK LANE (1939–2019)

  • Winter 1
  • Winter 4
  • Winter 7
  • Winter 8

DON MCKAY (1942–)

  • Close-Up on a Sharp-Shinned Hawk
  • Song for the Song of the Wood Thrush
  • Load
  • Sometimes a Voice (1)
  • Après Chainsaw
  • Quartz Crystal
  • From “Baler Twine: thoughts on ravens, home, and nature poetry”

M. NOURBESE PHILIP (1947–)

  • Meditations on the Declension of Beauty
    by the Girl with the Flying Cheek-bones
  • Discourse on the Logic of Language

JEANNETTE ARMSTRONG (1948–)

  • History Lesson
  • The Disempowerment of First North American Native Peoples and Empowerment Through Their Writing

LEE MARACLE (1950–2021)

  • Goodbye, Snauq

ANNE CARSON (1950–)

  • Short Talk on Sunday Dinner with Father
  • Short Talk on My Task
  • Short Talk on Major and Minor
  • Father’s Old Blue Cardigan
  • Audubon

ROHINTON MISTRY (1952–)

  • Squatter

RHEA TREGEBOV (1953–)

  • Elegy for the Light
  • The Dinner Table, the Tulip
  • At or Above the Earth’s Surface
  • Definition

MARILYN DUMONT (1955–)

  • The White Judges
  • Letter to Sir John A. Macdonald
  • Circle the Wagons
  • my life, a sweet berry

ARMAND GARNET RUFFO (1955–)

  • Poem for Duncan Campbell Scott
  • Doctrine of Discovery
  • The Tap
  • The Claim
  • Pauline Johnson’s Dress, 1892

ANDRÉ ALEXIS (1957–)

  • The Night Piece

GEORGE ELLIOTT CLARKE (1960–)

  • Rose Vinegar
  • Blank Sonnet
  • Antiphony

STEVEN HEIGHTON (1961–2022)

  • The Dead and the Missing

NALO HOPKINSON (1960–)

  • Slow Cold Chick

MIRIAM TOEWS (1964–)

  • Blueprints

SUE GOYETTE (1964–)

  • From Ocean
    • Prologue
    • Seventeen
    • Forty-Seven
    • Forty-Eight
    • Fifty-Six

MICHAEL CRUMMEY (1965–)

  • What’s Lost
  • Bread
  • The Clap

STEPHEN COLLIS (1965–)

  • Future Imperfect

WARREN CARIOU (1966–)

  • An Athabasca Story

EDEN ROBINSON (1968–)

  • Dogs in Winter

RITA WONG (1968–)

  • write around the absence
  • nervous organism
  • canola queasy
  • pacific flow
  • Lessons from Prison: A Shackled Pipeline Protestor Reflects

SECTION VIII
Contemporary Canada, 2010–Present

INTRODUCTION: RADICAL UPHEAVALS, NECESSARY HOPE

FIGURES FOR SECTION VIII

  • VIII-1 Camille Turner, Hometown Queen (2010)
  • VIII-2 Jalani Morgan, Untitled (2015)
  • VIII-3 Divya Mehra, Dangerous Women (Blaze of Glory) (2017), digital image
  • VIII-4 Billy-Ray Belcourt (Driftpile Cree), what’s left of a residential school in Joussard, AB (2019)
  • VIII-5 Dennis Owen, Children’s Shoes and Toys (2021)
  • VIII-6 Carlos Osorio, “Canadian children school adults about climate crisis,” Canada’s National Observer (2019)
  • VIII-7 Public signs from the COVID-19 pandemic (2020)
  • VIII-8 Gord Hill (Kwakwaka’wakw), Wet’suwet’en resistance to the Coastal GasLink pipeline (2020)
  • VIII-9 Kate Beaton, Ducks: Two Years in the Oil Sands (2022)
  • VIII-10 Christi Belcourt, What Are We Teaching Our Children (2019)

TRUTH AND RECONCILIATION COMMISSION OF CANADA

  • Truth and Reconciliation Commission of Canada: Calls to Action

IVAN E. COYOTE (1969–)

  • The Bathroom Chronicles
  • Their, There

LYNN COADY (1970–)

  • Mr. Hope

LEANNE BETASAMOSAKE SIMPSON (1971–)

  • gezhizhwazh
  • From nogojiwanong
    • she is the only doorway into this world

RICHARD VAN CAMP (1971–)

  • Aliens

WAYDE COMPTON (1972–)

  • The Lost Island
  • Three Riots: A Biotext for Watts, Rodney King, and George Floyd

ALEXANDER MACLEOD (1972–)

  • Lagomorph

DEREK BEAULIEU (1973–)

  • This half is for the ceremony
  • Please, No More Poetry
  • That’s Not Writing

SAEED TEEBI (1973–)

  • Cynthia

MADELEINE THIEN (1974–)

  • Simple Recipes

VINCENT LAM (1974–)

  • Take All of Murphy

ADAM DICKINSON (1974–)

  • Resin Identification Code
  • Hail
  • Polyfederalsiloxane
  • From Disruptors
  • Pack your Bags
  • Perspiration, A Conspiracy

KAIE KELLOUGH (1975–)

  • [… asylum seekers have come]
  • [Solidarity without Borders wants to mobilize]
  • [… she had been living in Ft. Lauderdale]
  • [… a two-day bus ride to the northern border]

SOUVANKHAM THAMMAVONGSA (1978–)

  • Picking Worms

EL JONES (1979–)

  • Easter Sunday, 2018
  • We Still Rise

ERIN ROBINSONG (1979–)

  • Like Everything That Has Lost the Formula for Stopping Itself
  • Places to intervene in a system
  • Let us help the hydra clear away the fog
  • I Don’t Believe We Can Save Our Civilization; I Do, I Do Believe It
  • From Transformances
    • Transformance 1
    • Transformance 2
    • Transformance 4

SACHIKO MURAKAMI (1980–)

  • Vancouver Special [1]
  • Vancouver Special [2]
  • Vancouver Special [3]
  • Vancouver Special [4]

OMAR EL AKKAD (1982–)

  • Government Slots

PAOLA FERRANTE (1982–)

  • When Foxes Die Electric

SHASHI BHAT (1983–)

  • Food for Nought

CANISIA LUBRIN (1984–)

  • In the Vault of the Morning
  • All We Still Carry

LIZ HOWARD (1985–)

  • Terra Nova, Terraformed
  • Neural Cascade: A Chandelier of Forest Bones
  • Standard Time
  • Contact

KIM FU (1987–)

  • Liddy, First to Fly

KAI CHENG THOM (1991–)

  • diaspora babies
  • to the compulsive caregivers
  • to J.K. Rowling
  • to me, from a revolutionary trans femme of color living in the distant future

BILLY-RAY BELCOURT (1994–)

  • Gay Incantations
  • Sacred
  • Towards a Theory of Decolonization
  • Ars Poetica
  • At the Mercy of The Sky
  • Regarding Death, I Turn to the Photon

Laura Moss is Professor of Canadian and Postcolonial Literatures in the Department of English Language and Literatures at the University of British Columbia. Cynthia Sugars is Professor of English and Canadian Literatures at the University of Ottawa.

  • Images, artworks, and examples of print culture are featured for each period
  • • A broad range of genres is represented: speeches, cartoons, legal documents, and pop culture texts appear alongside fiction, poetry, drama, and nonfiction
  • Extensive introductory materials and thorough annotation provide support for readers and instructors alike
  • • Foregrounds vibrant debates around topics such as racism, citizenship, institutions, power, and belonging