All Quiet on the Western Front
  • Publication Date: October 9, 2024
  • ISBN: 9781554815722 / 155481572X
  • 348 pages; 5½" x 8½"

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All Quiet on the Western Front

  • Publication Date: October 9, 2024
  • ISBN: 9781554815722 / 155481572X
  • 348 pages; 5½" x 8½"

Erich Maria Remarque’s classic novel of World War I, All Quiet on the Western Front, was an international sensation. Celebrated by countless readers for its moving depiction of the traumas suffered and the camaraderie shared in the trenches, the work also sparked controversy on all sides of the political spectrum, in which Remarque, now a celebrity, was claimed as a representative of various political causes. In this edition, Katharina Rout’s fresh, engaging English translation of All Quiet is accompanied by an informative introduction and illuminating contextual materials that help situate Remarque’s work among other literary and nonfictional accounts of the war experience and offer insight into how the novel was received.

NB At the 7 Nov 2024 book launch celebrating the publication of her edition, Katharina Rout spoke about her translation of All Quiet on the Western Front; excerpts from her wide-ranging address can be found at this link.

Comments

“Here is a new and welcome translation and edition of one of the essential books of the twentieth century. Everyone should read this book, because, through the story he tells of ordinary soldiers in the First World War, Remarque showed the world how to honor those who die in war without glorifying war itself. Looking at Sudan, Syria, Gaza, and Ukraine today, this message is an important one for our violent times“ — Jay Winter, Yale University

“Unflinchingly revealing the grim truth of war, and banned by the Nazis because of it, Remarque’s books were weaponized by some even as All Quiet on the Western Front was read by tens of millions. In this new work of translation, Katharina Rout provides an informed, gritty, and evocative exploration of the epic novel. Framed with an introduction that skillfully contextualizes Remarque as combat soldier, struggling veteran, best-selling author, and global citizen, Rout maps the many contradictions in his writing life and literary works. Now, nearly a century later, readers will encounter this influential war novel with new eyes in a world that continues to be plagued by conflict and war.” — Tim Cook, author of Vimy: The Battle and the Legend

“In addition to a well-judged translation of Remarque’s novel that should resound well with readers of today, Katharina Rout also provides a rich sample of extracts from comparable writings and a selection of early reviews and other documents that vividly illustrate how controversial All Quiet on the Western Front was in its day.” — David Midgley, University of Cambridge

“Katharina Rout’s new translation of Remarque’s All Quiet on the Western Front forms a welcome addition to literary and historical studies of World War I and Weimar Germany. The translation into modern North American English is far more accessible than earlier British translations and effectively captures Remarque’s so-called “telegraphic style,” as he narrates the common soldier’s “worm’s-eye” view of the war. Rout’s informational footnotes explaining military jargon and German trench slang are immensely useful. The excellent selection of excerpts from contemporary war books establishes the place of Remarque’s novel in a comparative context. Even more important are the excerpts from articles and reviews that appeared after the book’s publication and subsequent notoriety, which ignited a highly polarized and politicized debate about the “truth” of the book and the “meaning” of the war. The photographs and images at the end supply a visual summation of the impact of the war on the men who fought it, while foreshadowing the impending collapse of the Weimar Republic and the arrival of the Third Reich. Any teacher of All Quiet would be thrilled to have this edition.“ — Ann P. Linder, author of Princes of the Trenches: Narrating the German Experience of the First World War and World War I in 40 Posters

“Broadview Press’s All Quiet on the Western Front could not be more timely—or necessary. At a time of resurgent book banning, the contextual documents remind us of why Nazis banned and burned this book. At a time of renewed moviegoer interest in World War I, Broadview’s translation into North American English speaks to us directly, conveying the power of the original. Even faculty who have been teaching this work for years will find valuable new information in the introduction and supporting materials. …[A]n introduction, historical and biographical timeline, a gallery of images including art by Käthe Kollwitz and Otto Dix, and contemporary historical documents illuminate political and personal context, myths about the origins of the novel, revisions insisted on by the publisher, marketing strategy, reception, and … reviews and reactions from the time. I cannot imagine using any other edition to teach this greatest of all anti-war novels.” — Richard Middleton-Kaplan, Whitman College

Introduction
Erich Maria Remarque and the First World War: A Brief Chronology
Note on the Translation

All Quiet on the Western Front

In Context

  • The “Great War” in Literature
    • Germany
      • from Ernst Jünger, In Storms of Steel (1920)
      • from Bruno Vogel, Long Live War! A Letter (1925)
      • from Edlef Köppen, Military Communiqué (1930)
      • from Erich Maria Remarque, The Way Back (1930–31)
    • Britain
      • from Siegfried Sassoon, “A Soldier’s Declaration” (1917)
      • from Ford Madox Ford, Some Do Not (1924) and No More Parades (1925)
      • from Frederic Manning, The Middle Parts of Fortune (1929)
      • Richard Aldington’s Death of a Hero (1929)
    • Canada
      • from Francis Beynon, Aleta Day (1919)
      • from Charles Yale Harrison, Generals Die in Bed (1929)
    • The United States
      • from Ellen LaMotte, The Backwash of War (1916) and Mary Borden, The Forbidden Zone (1929)
    • France
      • from Henri Barbusse, Under Fire (1916)
  • Letters from the Trenches
    • from Philip Witkop, German Students’ War Letters (1928)
    • from Laurence Housman, War Letters of Fallen Englishmen (1930)
    • from Bernd Ulrich and Benjamin Ziemann, German Soldiers in the Great War (2010)
  • All Quiet on the Western Front: Contemporary Reviews, Commentary, and Controversy
    • Announcement of the Serialization [Preprint], Vossiche Zeitung (8 November 1928)
    • from Ernst Toller, review of Im Westen nichts Neues, Literarische Welt (22 February 1929)
    • from Count von Schlieffen, review of Im Westen nichts Neues, Deutsches Adelsblatt (16 March 1929)
    • from Axel Eggebrecht, “A Conversation with Remarque,” Die literarische Welt (14 June 1929)
    • Hans Zöberlein, review of Im Westen nichts Neues, Völkischer Beobachter (14 August 1929)
    • from “Erich Maria Remarque about his Work,” Algemeen Handelsblad (8 March 1930)
    • Recall of the Approval for Release of the Movie Im Westen nichts Neues by the Top Review Film Board, Berlin (11 December 1930)
    • from “Remarque and Reality,” Berliner Tageblatt (3 February 1931)
    • from Carl von Ossietzky, “The Case of Remarque,” Die Weltbuhne (12 April 1932)
    • “Action Against the Un-German Spirit”: The Book Burnings of 10 May 1933

Images
Permissions Acknowledgements

Katharina Rout is Professor Emerita at Vancouver Island University, where she specialized in teaching Literature in Translation and Transnational Literature. Her other translations from German into English include Branded by Emmy Hennings (Broadview Press), The Blue Sky by Galsan Tschinag (Milkweed Editions), and Soutine’s Last Journey (Seagull Books).

  • • New, eminently readable translation that retains the spirit of Remarque’s original prose
  • • Chronology of World War I and of Remarque’s life
  • • In Context section includes excerpts from other World War I literature, a selection of soldiers’ letters from the trenches, and a sampling of published contemporary responses to the novel and its controversies
  • • Thirteen black-and-white illustrations, including photographs of Remarque, examples of German antiwar art contemporary to the novel, and images documenting the novel’s publication history and legacy