Poems: A Concise Anthology

POEMS IN CONVERSATION
ACKNOWLEDGEMENTS
CONTRIBUTORS
NOTE TO READERS

• THE EXETER BOOK (C. 970–1000 CE)
• “The Wife’s Lament”
• Riddle 23
  Riddle 33
  Riddle 81
• GEOFFREY CHAUCER (C. 1343–1400)
• “To Rosemounde”
• SIR THOMAS WYATT (C. 1503–42)
• [“The long love that in my thought doth harbour”]
  [“Whoso list to hunt, I know where is an hind”]
• EDMUND SPENSER (1552?–99)
• from Amoretti
• 1 [“Happy ye leaves when as those lilly hands”]
  75 [“One day I wrote her name upon the strand”]
• SIR WALTER RALEGH (1554–1618)
• “The Nymph’s Reply to the Shepherd”
• CHRISTOPHER MARLOWE (1564–93)
• “The Passionate Shepherd to His Love”
• WILLIAM SHAKESPEARE (1564–1616)
• 18 [“Shall I compare thee to a summer’s day?”]
  29 [“When in disgrace with fortune and men’s eyes”]
  73 [“That time of year thou mayst in me behold”]
  116 [“Let me not to the marriage of true minds”]
  130 [“My mistress’ eyes are nothing like the sun”]
• THOMAS CAMPION (1567–1620)
• [“There is a garden in her face”]
• THOMAS NASHE (1567–1601?)
• “A Litany In Time of Plague”
• JOHN DONNE (1572–1631)
• “The Flea”
  “The Good-Morrow”
  from Holy Sonnets
• 10 [“Death be not proud, though some have called thee”]
  14 [“Batter my heart, three personed God; for you”]
• “A Valediction: Forbidding Mourning”
• LADY MARY WROTH (1587–1653?)
from Pamphilia to Amphilanthus
• Song [“Love, a child, is ever crying”]
  77 [“In this strange labyrinth how shall I turn?”]
• ROBERT HERRICK (1591–1674)
• “Delight in Disorder”
  “To the Virgins, to Make Much of Time”
• GEORGE HERBERT (1593–1633)
• “The Collar”
  “The Altar”
  “Easter Wings”
• JOHN MILTON (1608–74)
• “How Soon Hath Time”
  “On Shakespeare”
  [“When I consider how my light is spent”]
  “Lycidas” [website]
• ANNE BRADSTREET (1612–72)
• “The Author to Her Book”
  “Before the Birth of One of Her Children”
  “Here Follows Some Verses upon the Burning of Our House”
• ANDREW MARVELL (1621–78)
• “The Garden”
  “To His Coy Mistress”
• ALEXANDER POPE (1688–1744)
• “The Rape of the Lock” [website]
• THOMAS GRAY (1716–71)
• “Elegy Written in a Country Churchyard”
• CHARLOTTE SMITH (1749–1806)
• from Elegiac Sonnets
• LXX [“On Being Cautioned Against Walking on a Headland Overlooking the Sea, Because It Was Frequented by a Lunatic”]
• PHILLIS WHEATLEY (1753–84)
• “To the Right Honorable William, Earl of Dartmouth”
  “On Being Brought from Africa to America”
• WILLIAM BLAKE (1757–1827)
• from Songs of Innocence
• “The Lamb”
  “The Chimney Sweeper”
• from Songs of Experience
• “The Chimney Sweeper”
  “The Sick Rose”
  “The Tyger”
  “London”
• WILLIAM WORDSWORTH (1770–1850)
• “Lines Written a Few Miles above Tintern Abbey”
  “She dwelt among the untrodden ways”
  “A slumber did my spirit seal”
  “Strange fits of passion have I known”
  “Three years she grew in sun and shower”
  “I travelled among unknown men”
  “London, 1802”
  “Nuns fret not at their convent’s narrow room”
• DOROTHY WORDSWORTH (1771–1855)
• “Thoughts on My Sickbed”
• SAMUEL TAYLOR COLERIDGE (1772–1834)
• “The Eolian Harp”
  “Frost at Midnight”
  “Kubla Khan”
• LYDIA SIGOURNEY (1791–1865)
• “Death of an Infant”
  “To the First Slave Ship”
  “The Indian’s Welcome to the Pilgrim Fathers”
• PERCY BYSSHE SHELLEY (1792–1822)
• “Ozymandias”
  “Ode to the West Wind”
  “To A Skylark”
  “Mont Blanc” [website]
• WILLIAM CULLEN BRYANT (1794–1878)
• “The Prairies”
  “To a Waterfowl”
• JOHN KEATS (1795–1821)
• “Ode to a Nightingale”
  “Ode on a Grecian Urn”
  “To Autumn”
  “La Belle Dame Sans Merci”
  “When I Have Fears that I May Cease to Be”
• RALPH WALDO EMERSON (1803–82)
• “Fate”
  “Maiden Speech of the Aeolian Harp”
• ELIZABETH BARRETT BROWNING (1806–61)
• from Sonnets from the Portuguese
• 22 [“When our two souls stand up erect and strong”]
  24 [“Let the world’s sharpness like a clasping knife”]
  43 [“How do I love thee? Let me count the ways”]
• from Aurora Leigh, Book I
• HENRY WADSWORTH LONGFELLOW (1807–82)
• “The Spirit of Poetry”
  “The Quadroon Girl”
  “The Slave Singing at Midnight”
  “The City and the Sea”
• JOHN GREENLEAF WHITTIER (1807–92)
• “The Hunters of Men”
• EDGAR ALLAN POE (1809–49)
• “Sonnet—To Science”
  “To Helen”
  “The City in the Sea”
  “The Raven”
  “The Sleeper”
  “Annabel Lee”
• ALFRED LORD TENNYSON (1809–92)
• “Mariana”
  “The Lady of Shalott”
  “St. Simeon Stylites” [website]
  “Ulysses”
  “The Charge of the Light Brigade”
  “In Memoriam A.H.H.” [website]
• FRANCES SARGENT OSGOOD (1811–50)
• [“Won’t you die & be a spirit”]
  “To My Pen”
  “The Coquette’s Vow”
• ROBERT BROWNING (1812–89)
• “Porphyria’s Lover”
  “My Last Duchess”
• EMILY BRONTË (1818–48)
• [“No coward soul is mine”]
  [“Often rebuked, yet always back returning”]
  [“I’ll come when thou art saddest”]
• HERMAN MELVILLE (1819–91)
• “Ball’s Bluff”
  “Dupont’s Round Fight”
  “A Utilitarian View of the Monitor’s Fight”
  “The Æolian Harp”
  “Pebbles”
  “Field Asters”
• WALT WHITMAN (1819–92)
• “A Glimpse”
  “To A Stranger”
  “Come Up from the Fields Father”
  “When I Heard the Learn’d Astronomer”
  “Crossing Brooklyn Ferry”
  “Song of Myself” [website]
  “When Lilacs Last in the Dooryard Bloom’d” [website]
• ALICE CARY (1820–71)
• “The Bridal Veil”
• FREDERICK GODDARD TUCKERMAN (1821–73)
• Sonnet VII, Second Series [“His heart was in his garden; but his brain”]
• MATTHEW ARNOLD (1822–88)
• “Dover Beach”
• JAMES MONROE WHITFIELD (1822–71)
• “America”
• FRANCES E.W. HARPER (1825–1911)
• “The Slave Auction”
  “Bible Defense of Slavery”
  “Learning to Read”
  “A Double Standard”
• ROSE TERRY (COOKE) (1827–92)
• “Arachne”
  “Blue-Beard’s Closet”
  “Fantasia”
  “Truths”
• DANTE GABRIEL ROSSETTI (1828–82)
• “Jenny”
• EMILY DICKINSON (1830–86)
• 134 [“Did the Harebell loose her girdle”]
  310 [“‘Heaven’ – is what I cannot reach!”] [website]
  320 [“There’s a certain slant of light”]
  423 [“The first Day’s Night had come”]
  446 [“This was a Poet”]
  465 [“The name – of it – is ‘Autumn’”]
  524 [“It feels a shame to be alive”]
  704 [“My portion is Defeat – today”]
  857 [“She rose to His Requirement – dropt”]
• CHRISTINA ROSSETTI (1830–94)
• “Goblin Market”
  “Cobwebs”
  “In an Artist’s Studio”
• SARAH MORGAN BRYAN PIATT (1836–1919)
• “The Funeral of a Doll”
  “Mock Diamonds”
  “The Palace-Burner”
  “Her Blindness in Grief”
  “The First Party”
  “In Primrose-Time (Early Spring in Ireland)”
• WILLIAM DEAN HOWELLS (1837–1920)
• “The King Dines”
  “Society”
• AUGUSTA WEBSTER (1837–94)
• “Circe”
• THOMAS HARDY (1840–1928)
• “The Darkling Thrush”
  “The Convergence of the Twain”
  “During Wind and Rain”
• GERARD MANLEY HOPKINS (1844–89)
• “God’s Grandeur”
  “The Windhover”
• EMMA LAZARUS (1849–87)
• “Arabesque”
  “By the Waters of Babylon”
  “The South” [website]
• SLAVE SONGS/SORROW SONGS (C. 1850)
• “Blow Your Trumpet, Gabriel”
  “Poor Rosy”
  “Come Go With Me”
  “The Hypocrite and the Concubine”
• ELLA WHEELER [WILCOX] (1850–1919)
• “Communism”
• A.E. HOUSMAN (1859–1936)
• “Terence, This Is Stupid Stuff”
• E. PAULINE JOHNSON (1861–1913)
• “The Cattle Thief”
  “The City and the Sea”
• W.B. YEATS (1865–1939)
• “Easter 1916”
  “The Second Coming”
  “Leda and the Swan”
  “Sailing to Byzantium”
• EDWIN ARLINGTON ROBINSON (1869–1935)
• “The House on the Hill”
  “Sonnet [Oh, for a poet—for a beacon bright]
  “Walt Whitman”
  “Fleming Helphenstine”
  “John Evereldown”
  “Richard Cory”
• STEPHEN CRANE (1871–1900)
• from The Black Riders
• XIX [“A GOD IN WRATH”]
  XX [“A LEARNED MAN CAME TO ME ONCE”]
  XXVII [“A YOUTH IN APPAREL THAT GLITTERED”]
  LXI [“THERE WAS A MAN AND A WOMAN/WHO SINNED”]
  LXVII [“GOD LAY DEAD IN HEAVEN”]
• from War is Kind
• [“The trees in the garden rained flowers”]
  [“When the prophet, a complacent fat man”]
• PAUL LAURENCE DUNBAR (1872–1906)
• “We Wear the Mask”
  “A Banjo Song”
  “The Colored Soldiers”
  “A Corn-Song”
• ROBERT FROST (1874–1963)
• “Birches”
  “Out, Out—”
  “The Oven Bird”
  “Desert Places”
• AMY LOWELL (1874–1925)
• “Patterns”
• GERTRUDE STEIN (1874–1946)
• from Tender Buttons
  from Patriarchal Poetry [website]
• CARL SANDBURG (1878–1967)
• “Chicago”
  “Grass”
• WALLACE STEVENS (1879–1955)
• “Thirteen Ways of Looking at a Blackbird”
  “Nuances of a Theme by Williams”
  “The Snow Man”
  “Sunday Morning”
  “The Poem that Took the Place of a Mountain”
• MINA LOY (1882–1966)
• from Songs to Joannes
• XII [”Voices break on the confines of passion“]
• “The Song of the Nightingale is Like the Scent of Syringa” [website]
• WILLIAM CARLOS WILLIAMS (1883–1963)
• “El Hombre”
  “The Red Wheelbarrow”
  “Spring and All”
  “To Elsie”
  “This Is Just to Say”
  “Landscape with the Fall of Icarus”
• EZRA POUND (1885–1972)
• “The River-Merchant’s Wife: A Letter”
  “In a Station of the Metro”
  “A Pact”
  “Hugh Selwyn Mauberly/Life and Contacts” [website]
• H.D. (1886–1961)
• “Oread”
• ROBINSON JEFFERS (1887–1962)
• “Animals”
• MARIANNE MOORE (1887–1972)
• “A Grave”
• T.S. ELIOT (1888–1965)
• “The Love Song of J. Alfred Prufrock”
  “The Hollow Men”
  “Journey of the Magi”
  “The Waste Land” [website]
• CLAUDE MCKAY (1889–1948)
• “The Lynching”
  “America”
• EDNA ST. VINCENT MILLAY (1892–1950)
• [“I, being born a woman and distressed”]
  [“What lips my lips have kissed, and where, and why”]
  “I Too beneath Your Moon, Almighty Sex”
• WILFRED OWEN (1893–1918)
• “Anthem for Doomed Youth”
  “Dulce et Decorum Est”
• DOROTHY PARKER (1893–1967)
• “The Passionate Freudian to His Love”
• E.E. CUMMINGS (1894–1962)
• [“i like my body when it is with your”]
  [“in Just-”]
  [“the Cambridge ladies who live in furnished souls”]
  [“may i feel said he”]
  [“l(a”]
• HART CRANE (1899–1932)
• “My Grandmother’s Love Letters”
  “Recitative”
  “At Melville’s Tomb”
• ERNEST HEMINGWAY (1899–1961)
• “Montparnasse”
• STERLING A. BROWN (1901–89)
• “Harlem Happiness”
  “Bitter Fruit of the Tree”
• LANGSTON HUGHES (1902–67)
• “The Negro Speaks of Rivers”
  “The Weary Blues”
  “Harlem (2)”
  from Montage of a Dream Deferred
• “Low to High”
  “High to Low”
  “Shame on You”
  “World War II”
• STEVIE SMITH (1902–71)
• “Not Waving but Drowning”
  “Thoughts about the Person from Porlock”
• COUNTEE CULLEN (1903–46)
• “Yet Do I Marvel”
  “From the Dark Tower”
• LORINE NIEDECKER (1903–70)
• “Paean to Place”
• LOUIS ZUKOFSKY (1904–78)
• from A
• 16 [“An”]
• JOHN BETJEMAN (1906–84)
• “In Westminster Abbey”
• W.H. AUDEN (1907–73)
• “Funeral Blues”
  “Musée des Beaux Arts”
  “September 1, 1939”
  “The Unknown Citizen”
• GEORGE OPPEN (1908–84)
• “Psalm”
  “The Forms of Love”
  “Latitude, Longitude”
• THEODORE ROETHKE (1908–63)
• “My Papa’s Waltz”
  “Root Cellar”
  “I Knew a Woman”
• CHARLES OLSON (1910–70)
• “As the Dead Prey Upon Us”
  “Rufus Woodpecker …”
• ELIZABETH BISHOP (1911–79)
• “Casabianca”
  “Chemin de Fer”
  “First Death in Nova Scotia”
  “One Art”
• ROBERT HAYDEN (1913–80)
• “Those Winter Sundays”
  “Full Moon”
• RANDALL JARRELL (1914–65)
• “The Death of the Ball Turret Gunner”
• WELDON KEES (1914–55)
• “Sestina: Travel Notes”
  “Robinson”
  from Five Villanelles
• I [“The crack is moving down the wall”]
• “Aspects of Robinson”
  “Robinson at Home”
  “Relating to Robinson”
• WILLIAM STAFFORD (1914–93)
• “Traveling through the Dark”
  “Fifteen”
  “Ask Me”
• DYLAN THOMAS (1914–53)
• “The Force That Through the Green Fuse Drives the Flower”
  “Fern Hill”
  “Do Not Go Gentle into That Good Night”
• GWENDOLYN BROOKS (1917–2000)
• “We Real Cool”
  “Medgar Evers”
• ROBERT LOWELL (1917–1977)
• “Skunk Hour”
  “For the Union Dead”
• LAWRENCE FERLINGHETTI (B. 1919)
• “I Am Waiting”
• JACK KEROUAC (1922–69)
• from Mexico City Blues
• 66th Chorus
  67th Chorus
  108th Chorus
  156th Chorus
• PHILIP LARKIN (1922–85)
• “Church Going”
  “Talking in Bed”
  “This Be the Verse”
  “The Old Fools”
• DENISE LEVERTOV (1923–97)
• “What Were They Like?”
  “The Day the Audience Walked Out on Me, and Why”
• JACK GILBERT (1925–2012)
• “The Abnormal is Not Courage”
• “The Forgotten Dialect of the Heart”
  “Tear It Down”
• DONALD JUSTICE (1925–2004)
• “Sestina on Six Words by Weldon Kees”
• KENNETH KOCH (1925–2002)
• “Variations on a Theme by William Carlos Williams”
  “One Train May Hide Another”
  “Mountain”
• ROBERT CREELEY (1926–2005)
• “The Language”
  “The Pattern”
  “America”
  “Anger” [website]
• ALLEN GINSBERG (1926–97)
• “A Supermarket in California”
  “Howl” [website]
• FRANK O’HARA (1926–66)
• “A Step Away From Them”
  “Why I Am Not a Painter”
• MAYA ANGELOU (1928–2014)
• “Still I Rise”
• PHILIP LEVINE (1928–2015)
• “Animals are Passing from Our Lives”
• ANNE SEXTON (1928–74)
• “Sylvia’s Death”
  “The Ballad of the Lonely Masturbator”
• THOM GUNN (1929–2004)
• “To His Cynical Mistress”
  “In Time of Plague”
  “The Hug”
• JOHN HOLLANDER (1929–2013)
• from Thirteens
• 1 [“Triskaidekaphobia through the centuries”]
• “An Old-Fashioned Song”
  “Dead Animals”
• ADRIENNE RICH (1929–2012)
• “Aunt Jennifer’s Tigers”
  “Living in Sin”
  “A Valediction Forbidding Mourning”
  “Diving into the Wreck”
• GREGORY CORSO (1930–2001)
• “BOMB”
  “Marriage”
• TED HUGHES (1930–98)
• “The Thought-Fox”
  “Pike”
• MILLER WILLIAMS (1930–2015)
• “The Shrinking Lonesome Sestina”
  “Compassion”
• SYLVIA PLATH (1932–63)
• “Mushrooms”
  “Ariel”
  “Daddy”
  “Lady Lazarus”
• AMIRI BARAKA (1934–2014)
• “I Substitute for the Dead Lecturer”
  “Three Modes of History and Culture”
• TED BERRIGAN (1934–1983)
• “People Who Died”
• AUDRE LORDE (1934–1992)
• “Outside”
  “Hanging Fire”
• LUCILLE CLIFTON (1936–2010)
• “miss rosie”
  “homage to my hips”
  “the lost baby poem”
  “wishes for sons”
• SEAMUS HEANEY (1939–2013)
• “Digging”
  “Mid-Term Break”
  “The Grauballe Man”
  “Cutaways”
• STAN RICE (1942–2002)
• “The Strangeness”
• AGHA SHAHID ALI (1949–2001)
• “Postcard from Kashmir”
  “The Wolf’s Postscript to ‘Little Red Riding Hood’”
• JIM CARROLL (1949–2009)
• “People Who Died”
  “To the Secret Poets of Kansas”
  “Highway Report (for Jack Kerouac)”
• DEBORAH DIGGES (1950–2009)
• “The Wind Blows through the Door of My Heart”

CONTEMPORARY VOICES

• JOHN ASHBERY (B. 1927)
• “Soonest Mended”
  “Paradoxes and Oxymorons”
• GARY SNYDER (B. 1930)
• “As for Poets”
• DEREK WALCOTT (1930)
• “A Far Cry from Africa”
  “The Sea is History”
• MARY OLIVER (B. 1935)
• “Death at a Great Distance”
  “What Is It?”
• MICHAEL S. HARPER (1938)
• “Debridement”
• MARGARET ATWOOD (B. 1939)
• “Death of a Young Son by Drowning”
• BILLY COLLINS (B. 1941)
• “Lines Composed Over Three Thousand Miles from Tintern Abbey”
• STEPHEN DOBYNS (B. 1941)
• “The Gun”
• ROBERT HASS (B. 1941)
• “A Story about the Body”
• MARILYN HACKER (B. 1942)
• “Villanelle for D.G.B”
  [“Didn’t Sappho say her guts clutched up like this?”]
• SHARON OLDS (B. 1942)
• “Sex Without Love”
  “The Healers”
• LOUISE GLÜCK (B. 1943)
• “Anniversary”
• EAVAN BOLAND (B. 1944)
• “The Emigrant Irish”
  “On the Gift of ’The Birds of America’ by John James Audobon”
• GAIL WHITE (B. 1945)
• “Annabel Lee”
• PAUL HOOVER (B. 1946)
• “Poems We Can Understand”
• MARILYN NELSON (B. 1946)
• “Minor Miracle”
• PATTI SMITH (B. 1946)
• “piss factory”
  “ps/alm 23 revisited”
• YUSEF KOMUNYAKAA (B. 1947)
• “Facing It”
  “Blue Light Lounge Sutra For The Performance Poets At Harold Park Hotel”
• DIANE ACKERMAN (B. 1948)
• “Sweep Me through Your Many-Chambered Heart”
• DAVID LEHMAN (B. 1948)
• “The Difference Between Pepsi and Coke”
  “First Offense”
• LYNN EMANUEL (B. 1949)
• “inside gertrude stein”
• ANNE CARSON (B. 1950)
• “On Sylvia Plath”
  “Audubon”
• DANA GIOIA (B. 1950)
• “Thanks for Remembering Us”
  “Planting a Sequoia”
• ANDREW HUDGINS (B. 1951)
• “At Chancellorsville: The Battle of the Wilderness”
  “November Garden: An Elegy”
• RITA DOVE (B. 1952)
• “Persephone, Falling”
• MARY RUEFLE (B. 1952)
• “Why I am Not a Good Kisser”
• MARK DOTY (B. 1953)
• “Charlie Howard’s Descent”
• GJERTRUD SCHNACKENBERG (B. 1953)
• “The Paperweight”
• KIM ADDONIZIO (B. 1954)
• “First Poem for You”
• LOUISE ERDRICH (B. 1954)
• “Dear John Wayne”
  “Indian Boarding School: The Runaways”
• CAROL ANN DUFFY (B. 1955)
• “Little Red Cap”
  “Salome”
• PATRICIA SMITH (B. 1955)
• “Skinhead”
• LI-YOUNG LEE (B. 1957)
• “Persimmons”
• KATHY FAGAN (B. 1958)
• “Road Memorial”
• JACKIE KAY (B. 1961)
• “In My Country”
• OLENA KALYTIAK DAVIS (B. 1963)
• “The Lyric ‘I’ Drives to Pick Up Her Children from School: A Poem in the Postconfessional Mode”
• SHERMAN ALEXIE (B. 1966)
• “After the Trial of Hamlet, Chicago, 1994”
• TERRANCE HAYES (B. 1971)
• “Jump School”

LANGUAGE POETS

• JACKSON MAC LOW (1922–2004)
• “Is That Wool Hat My Hat?” [complete poem on website]
  “Daily Life”
• LYN HEJINIAN (B. 1941)
• from Writing is an Aid to Memory
• 28 [“we are parting with description”]
• MICHAEL PALMER (B. 1943)
• “Disclosures”
• MICHAEL DAVIDSON (B. 1944)
  • “Et in Leucadia Ego”
• RON SILLIMAN (B. 1946)
• from The Chinese Notebook
• RAE ARMANTROUT (B. 1947)
• “Soft Money”
• CHARLES BERNSTEIN (B. 1950)
• “A Test of Poetry”
• HARRYETTE MULLEN (B. 1953)
• “Denigration”
  “Dim Lady”
• KENNETH GOLDSMITH (B. 1961)
• from DAY
• “A2”

SONGS

• 2PAC
• “Changes”
• ANIMAL COLLECTIVE
• “Peacebone”
• THE ANTLERS
• “Two; or I Would Have Saved Her If I Could”
• ARCADE FIRE
• “Modern Man”
• BRIGHT EYES
• “First Day of My Life”
• COMMON
• “I Used to Love H.E.R”
• THE COUP
• “Strange Arithmetic”
• DRAKE
• “Hotline Bling”
• FLORENCE AND THE MACHINE
• “Delilah”
• LADY LAMB
• “Hair to the Ferris Wheel”
• MARGOT AND THE NUCLEAR SO AND SO’S
• “Real Naked Girls”
• MOUNTAIN GOATS
• “Moon Over Goldsboro”
• NAS
• “NY State of Mind”
• THE NATIONAL
• “Mistaken for Strangers”
  “Green Gloves”
• NEUTRAL MILK HOTEL
• “The King of Carrot Flowers, Part One”
• RADIOHEAD
• “Kid A”
• SHARON VAN ETTEN
• “Love More”
• SLEATER-KINNEY
• “Call the Doctor”
• THE SMITHS
• “Ask”
• ST. VINCENT
• “Cruel”
• STARS
• “Personal”
• SUN KIL MOON
• “Ben’s My Friend”
• TALKING HEADS
• “Heaven”
• THE TOADIES
• “Possum Kingdom”
• WEEZER
• “Tired of Sex”

MORE POEMS IN CONVERSATION
GLOSSARY
PERMISSIONS ACKNOWLEDGEMENTS
INDEX OF FIRST LINES
INDEX OF AUTHORS AND TITLES