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The Wonder Susanna Centlivre’s play The Wonder (1714) was one of the most popular works on the eighteenth-century English stage. Set in Lisbon, the plot interweaves two…
Doc When Catherine returns home on the eve of ceremonies honouring her physician father, she unleashes a kaleidoscope of memories as father and daughter attempt to…
Diana of Dobson’s Very successful when first performed in London in 1908, Diana of Dobson’s introduces its audience to the overworked and underpaid female assistants at Dobson’s Drapery…
The Siege of Valencia This parallel text edition of Felicia Hemans’s important dramatic poem presents the 1823 publication alongside a transcription of the original manuscript, offering a unique glimpse…
The Witlings and The Woman-Hater This Broadview edition pairs two of Frances Burney’s linked comedies. They both present the character of Lady Smatter, a “femme savante” whose lineage may be…
Midlife [I tell her] “golf is sacred. Holy. Sacrosanct.” I like that. Sacrosanct. So she tells me about this article she read, about the attitude of…
Bell in Campo and The Sociable Companions Written during the English Civil War and Interregnum when the public theatres were closed and Margaret Cavendish was living away from England in exile, Bell…
Plays on the Passions Baillie’s eminently readable dramas stand at the crossroads of the Scottish Enlightenment and early Romanticism, and compellingly engage with questions of women’s rights. Her exploration…
The Tragedy of Mariam First published in 1613, The Tragedy of Mariam, the Fair Queen of Jewry is probably the first play in English known to have been authored…
The Rover – Second Edition Increasingly Aphra Behn—the first woman professional writer—is also regarded as one of the most important writers of the 17th century. The Rover, her most famous…
The Clandestine Marriage David Garrick, the leading actor of his time, was also one of its most accomplished dramatists, and The Clandestine Marriage is perhaps his finest play.…
A Bold Stroke for a Wife Though critics and literary historians have always had to admit that Susanna Centlivre’s comedies were extremely popular, they have tended to devote themselves to a…
