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Written by: Jane Austen
Edited by: Kristin Flieger Samuelian

Series: Broadview Editions

Publication Date: January 01, 2004
453pp • Paperback / PDF / ePub
ISBN: 9781551113210 / 155111321X

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Jane Austen's Emma (1816) tells the story of the coming of age of Emma Woodhouse, "handsome, clever, and rich," who "had lived nearly twenty-one years in the world with very little to distress or vex her." Typical for the novel's time, Emma's transition to womanhood is accomplished through courtship—both of those around her and, ultimately, her own. As in other Austen works, education and courtship go hand in hand, and Emma's process of learning to relinquish the power of having her own way is also a process of falling in love. However, in Emma this classic plot is both complicated by and reflective of a collection of contemporary issues, assumptions, and anxieties that highlight just how "political" even the most conventional of courtship plots can be. 

This Broadview edition includes a critical introduction and an extensive collection of historical documents relating to the composition and reception of the novel, the social implications of England's shift from a rural agrarian to an urban industrial economy, the role of women in provincial society, and the contemporary preoccupation with health and the treatment of illness. 


"This is an excellent package of well-edited text and thoughtful introduction, notes and sources. A handsome, clever and rich edition that sets Emma firmly in its social contexts and is ideal for introducing the historical aspects of Austen's classic courtship narrative." - Ashley Tauchert, University of Exeter

"With its wide-ranging introduction and informative appendices documenting issues of social class, gypsies and illegitimacy, women's roles, illness, and Jane Austen as an author, Kristin Flieger Samuelian's edition will be highly valued by those who read Emma with an eye to social history. Broadview Austen editions are second to none." - Devoney Looser, University of Missouri, Columbia  

Kristin Flieger Samuelian teaches in the Department of English at George Mason University. She has published articles on Jane Austen, Charles Dickens, and Elizabeth Gaskell.

Please note: If you choose to use multiple Broadview Austen Editions we will extend a special package price offer to your students. Please contact [email protected] for details.

Table of Contents: [Back to Top]



Jane Austen: A Brief Chronology

A Note on the Text  


Appendix A: The Composition and Reception of the Novel

  1. Austen's Correspondence with John Murray and James Stanier Clarke
  2. Austen's "Plan of a Novel, According to Hints from Various Quarters"
  3. Review of Emma by Sir Walter Scott, The Quarterly Review (1815-1816)
  4. Critical Notices of Emma (The British Critic, 1816; The Gentleman's Magazine, 1816)

Appendix B: Social Class and Landed Society

  1. [Figure] Offchurchbury, Warwickshire, seat of the Knightley family, c. 1818
  2. From Jane Austen, "The History of England"
  3. From Edmund Burke, On Taste (1756)
  4. From Samuel Richardson, The History of Sir Charles Grandison (1754)

Appendix C: The Landless: Gypsies and Bastards

  1. From William Cowper, The Task (1785)
  2. From "Notices Concerning the Scottish Gypsies," Blackwood's Edinburgh Magazine (April 1817)
  3. From William Blackstone, Commentaries on the Laws of England (1765)

Appendix D: Women, Married and Unmarried

  1. From William Blackstone, Commentaries on the Laws of England (1765)
  2. From Hannah More, Strictures on the Modern System of Female Education (1799)
  3. From the Journals and Letters of Agnes Porter (1791-1811)

Appendix E: The Social Meaning of Illness

  1. From Adam Smith, An Inquiry into the Nature and Causes of the Wealth of Nations (1776)
  2. From The Gentleman's Magazine (December 1815)
  3. From Thomas Trotter, A View of the Nervous Temperament (1807)  

Appendix F: The Sale of Human Intellect

  1. From The Times (4 January 1815)

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2004 • 453pp • Paperback • 9781551113210 / 155111321X

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Broadview Press acknowledges the financial support of the Government of Canada through the Canada Book Fund, and also acknowledges the support of the Ontario Media Development Corporation. Freehand Books, an imprint of Broadview, acknowledges the support of the Canadian Council of the Arts.